P/Nes 8-Bit Lo-Fi Monster - Manual
Index > 
General notes Installation Interface Patch Loader Oscillators LFO & ADSR Step Sequencer Arpeggiator Midi Effects Known bugs Additional credits General notes > These icons are used over the synth to represent the various waveforms/oscillators (in the Routing sections and the Mixer) :
: Oscillator #1 / Square wave - Pulse 1
: Oscillator #2 / Square wave - Pulse 2 
: Oscillator #3 / Triangle 
: Noise oscillator
Hold the Control key on your keyboard while changing a value (sliders or knobs) for finer tuning control. Right Click on slider/button/knob for midi learn. Each controls has a mark which identifies its default/off position. This plugins has no value reset function, this will help you remember. Other default positions are identified in this manual. Under the Fine Octave slider, You can manually type values to set it back to 0 or to attain an even lower/higher pitch. All effects can be bypassed for a more pure NES Sound using the Effect Bypass switch or the individual effects Bypass switches.
If no sound is coming out, make sure at least one type of each effect is selected (including Direct output / True bypass) Some effects may cause audible clicks in your signal during adjustments (Bass Decay for example). Why is there a red box around the Filter switch on the effects modulation? Because if you are not careful it can totally crash the signal. This WILL happen of you use too much rate or if the Pitch Tracking is too high. Use with precaution. If that happens the plugin will only emit a loud buzzing sound. To fix this you have to either remove and add the plugin in your track, or restart your host. Installation > - Extract the content of the zip file.
- Copy the DLL files in your host's Plugin or VST directory.
- If you don't have any host or VST plugin player, I strongly suggest using the excellent and free VSTHost or SaviHost from Hermann Seib.
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Interface > The P/Nes interface is split in five distinct zones,
1) Patch loader
2) Waveform/Oscillators/timbre ajustments
3) Modulation + Envelopes (LFO's & ADSR's)
4) Controllers (Sequencer, Arpeggiator, Midi)
5) Mixer & Effects
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Patch Loader > File : File menu.
- Copy Patch : Copy the current patch to other slots.
- Load Inst : Load patch (.fxp file).
- Save Inst : Save patch (.fxp file).
- Load Bank : Load patch bank (.fxb file).
- Save Bank : Save patch bank (.fxb file).
Load : Load a patch using the popup menu.
< : Load the previous patch.
> : Load the next patch.
Notes :- You can click the patch name to rename it.
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Oscillators > Oscillators #1-2-3 (Square/Pulse 1 & 2, Triangle) :
Octave : Select Octave from -3 to 3 octaves.
Fine Octave : Fine tune Octave.
Ceil (1-2) : Activate Ceiling #1 and #2.
Oscillator waveform select : Select the waveform between Square, Triangle, Sine or Saw.
PW/Cycle (Pulse Width/Duty Cycle) : Adjust the Square wave Pulse Width / Duty Cycle (%), limited to the Nes specs.
Fine PW/Cycle : Fine ajustments to the Pulse Width / Duty Cycle, without any limitation.
Inv : Inverts the Fine PW/Cyclevalue.
Crv (Curve) : Curves the high end of the waveform shape.
2x (Curve 2x) : Double the range of the Curve.
Sub (Sub octave) : Adjust the intensity of the Sub octave.
2x (Sub octave 2x) : Changes the octave of the sub octave between 1 and 2 octaves below the oscillator.
Fine Sub octave : Fine tune Sub octave.
Tone : Adjust the color of the oscillator.
Tone power button : Turn on or off the Tone effect.
PM (Phase Modulation) : Adjust the Phase Modulation level
Dpt : Adjust the Phase Modulation depth/mix
PM waveform select : Select the Phase Modulation waveform between Square, Triangle, Sine or Saw.
Ret : Regtrigger the PM by MIDI signal.
Qnt : Adjust the Quantization.
Smo : Adjust the Smoothness between the current and next sample.
Bit : Adjust the Bit resolution.
Rate : Adjust the Frequency Rate.
PT/M : Adjust the Multiplier value of the Pitch Tracking.
PT/F : Adjust the Frequency of the Pitch Tracking.
G : Adjust the Glide/Portamento of the Pitch Tracking.
Rev : Reverses the Pitch Tracking.
PT (Pitch Tracking) : Routes the Pitch Tracking to the following values :
- Ra : Frequency Rate
- Bit : Bit Crusher
- Qn : Quantizer
- Sm : Smoothness
- PM : Phase Modulation rate
- Cr : Curve
- PW : Pulse Width
- Tn : Tone
Notes :- Oscillator #3 / Triangle are similar to the other two oscillators except for the Curve, Quantize and Pulse Width functions.
- The marks on the Rate and PT/F on the Triangle and Noise waveforms represents the correct Nes rates.
- The Fine tune Octave and Sub octave can be used to create phasing effects and chords.
Noise : 
Octave : Select Octave from -3 to 3 octaves. Fine Octave : Fine tune Octave.
Ceil (1-2) : Activate Ceiling #1 and #2.
Type : Adjust the Noise Type between the two different algorithms and select the waveform between White, Pink, Red (#2 only) and Blue (#2 only). (DP:#1,white)
Vol2 : Adjust the volume of algorithm #2.
Filt2 : Adjust frequency of the algorithm #2's filter.
Type Filt2 : Select the type of the algorithm #2's filter between O (Off), BP (BandPass) and No (Notch)
Det2 : Detune algorithm #2.
Amt : Adjust the amount of Delay.
Fb/Dp : Ajust the Feedback of the delay and the Damp of the reverb.
Rvb : Adjust the amount of Reverb.
Size : Adjust the reverb's Room size.
Dly : Adjust the Delay time.
Tone : Adjust the color of the oscillator.
Tone power button : Turn on or off the Tone effect.
AM : Adjust the Amplitude Modulation level
Dpt : Adjust the Amplitude Modulation depth/mix
AM waveform select : Select the AM waveform between Square, Triangle, Sine or Saw.
Ret : Regtrigger the AM by MIDI signal.
Qnt : Adjust the quantization
Smo : Smoothness between the current and next sample.
Bit : Adjust the bit resolution.
Rate : Adjust the frequency Rate.
PT/M : Adjust the Multiplier value of the Pitch Tracking.
PT/F : Adjust the Frequency of the Pitch Tracking.
G : Adjust the Glide/Portamento of the Pitch Tracking.
Rev : Reverses the Pitch Tracking.
PT (Pitch Tracking) : Routes the Pitch Tracking to the following values
(similar to other waveform except the following)
- Dly (Noise only) : Delay
- Rb (Noise only) : Reverb
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Modulation + Envelopes (LFO & ADSR) > There are four independant LFO's and ADSR's modules for Volume, Pitch, Pulse Width / Curve / Enveloppes, and Effects which can be also affected by the pitch being played. They all offer the same controls :
Modulation (LFO) :
LFO Shape: Select the LFO's shape between Sine, Ramp (reverse Saw), Saw, Triangle, Square Rate : Adjust the speed of the LFO.
Amt (Amount) : Adjust the Amount.
Dly (Delay) : Adjust the time delay before the LFO starts.
2x (LFO 2x) : Double the range of the LFO.
Ret : Regtrigger the LFO by MIDI signal.
Crv : Changes the LFO's Response Curve between Linear or Exponential (only on Volume modulation).
Envelope (ADSR) :
A (Attack) : Adjust the time taken for initial run-up of level from nil to peak, beginning when the key is first pressed. D (Decay) : Adjust the time taken for the subsequent run down from the attack level to the designated sustain level.
S (Sustain) : Adjust the level during the main sequence of the sound's duration, until the key is released.
R (Release) : Adjust the time taken for the level to decay from the sustain level to zero after the key is released.
Vol/Int (Volume/Intensity) : Changes the overall volume/intensity of the ADSR (You need Vol/Int for the ADSR to work).
Crv : Changes the ADSR's Response Curve between Linear or Exponential (only on Volume modulation).
Options :
Qnt (Quantizing) : Adjust the resolution/quantization of the LFO and ADSR's output. PT/M : Adjust the Multiplier value of the Pitch Tracking.
PT/F : Adjust the Frequency of the Pitch Tracking.
G : Adjust the Glide/Portamento of the Pitch Tracking.
Rev (<) : Reverses the Pitch Tracking, allowing high notes/pitch to create a slow LFO and low notes/pitch to create a faster LFO.
PT (Pitch Tracking) : Routes the Pitch Tracking to the following values :
LF : LFO Rate. Low notes will create a slow LFO while higher notes will create a faster LFO.
AD : ADSR
Qn : Quantization
QL : Quantization + LFO
Routing sliders : Adjust the amount of modulation (ADSR & LFO) to be applied to each waveforms (not available on the EFX Modulation).
Routing - Pitch modulation :
LFO - Pit : Sends the LFO signals to the Pitch.
- Oct : Sends the LFO signals to the Pitch.
- << : Reverse the LFO signal.
ADSR
- Pit : Sends the ADSR signals to the Pitch.
- Oct : Sends the ADSR signals to the Pitch.
- << : Reverse the ADSR signal.
Routing - Oscillators modulation :
- Pw : Sends the LFO and ADRS signals to Pulse Width. - Cr : " " Curve
- Sub : " " Sub-oscillator
- PM : " " Phase Modulation (Amplitude Modulation on Noise)
- PM-R : " " Phase Modulation Rate
- Ton : " " Tone
- Qnt : " " Quantize
- Sm : " " Smoothness
- Ra : " " Frequency Rate
- Bit : " " Bit resolution
Routing - Effects modulation :
Located at the left of the module :
- Flt : Sends the LFO and ADRS signals to the Filters. - RM : " " Ring Modulation
- Dst: " " Distortion
- Dly : " " Delay
- Dly-T : " " Delay Time
- Bit : " " Bit resolution
- Ra : " " Frequency Rate
- Qnt : " " Quantize
- Sm : " " Smoothness
- Ch : " " Chorus
- Flg : " " Flanger/Phaser
- Flg : " " Flanger/Phaser Rate
Located at the right of the module :
- Pit : " " Pitch Shifter pitch - PS : " " Pitch Shifter mix
- Pit : " " Freqbox pitch
- FB : " " Freqbox mix
- P1 : " " FM Operator #1
- FM : " " FM mix
- P2 : " " FM Operator #2
- Ba : " " Bass
- P2lv : " " FM Operator #2's level
- Rv : " " Reverb
Notes : - The ADSR needs Intensity to work.
- The Quantize function on the Pitch LFO-ADSR can be used to create a kind of arpeggiator effect.
- Release (r) does not work with the sequencer, it only affects keyboard playing. It also causes Sustain to be infinite. - The Pitch LFO also affects Triangle frequency rate.
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Step Sequencer > Clear/Save/Load Pattern : Click the empty area left to the arrow to clear, save or load a pattern. You can also click below the sequencer to bring up the menu.
Active : Activates the sequencer. If you really want to turn off the sequencer, you need to set Speed to 0 and uncheck Host. If Active is checked, notes played by the sequencer will cut off similar notes played on the keyboard.
Host : Sync Sequencer to host/DAW
Speed : Adjust the Sequencer speed when Host Sync is not used
Divide : Divide the host/DAW clock speed
Dir (Direction) : Selects the direction of the sequencer
- Fwd : Forward
- Rev : Reversed
- Alt : Forward then back, ping pong style
- Rnd : Random
- Restart : Retrigger/Restarts the pattern on the first step
Transpose : Transpose the melody to different keys/tones.
Steps : Adjust the Sequence lenght
Skip : Skip steps, helpful to create pattern variations on the fly
Notes : -You can play the keyboard while the sequencer is playing, but if the sequencer hits a note you play it will retrigger its envelope.
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Arpeggiator > Host : Sync Arpeggiator to host/DAW
Poly (Polyphonic) : Set the arpeggiator in Polyphonic mode.
Hold : Hold the arpeggiator notes.
Velo (Velocity) : Adjust between Constant or Per-Notes.
Speed : Adjust the Arpeggiator speed. Sets the divide when Host is used
2x (Speed 2x) : Double the rate of the Speed.
Modes :
- Off : Shuts down the Arpeggiator
- Up : The Arp will go from down to up, like a ramp
- Down : The Arp will go from up to down, like a saw
- Up/Down : The Arp will go up and down, like a triangle
- Down/Up : The Arp will go down and up, like an inverted triangle
- Up/Down2 : The Arp will go up and down with an added note at the interval
- Down/Up2 : The Arp will go down and up with an added note at the interval
Oct (Octaves) : Select over how many Octaves the arpeggiator will go.
Lngth (Length) : Set the length of arpeggiated notes.
Phrase : Set the Arpeggiator to Phrase mode (notes are played in the order you played them).
Chord : Set the Prased Arpeggiator to Chord mode (notes are played in chords).
To PT : Routes the Arpeggiator to the following Pitch Tracking signals :
- Osc : Oscillators
- Mod : Modulation
- Fx : Effects
- M-Fx : Effects Modulation
Notes :
- In Poly mode the arpeggiator uses much more CPU. You might have to turn it off to use Divide up to 64 without stuttering.
- This arpeggiator can totally make you sound like Philip Glass.
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Midi > Poly : Select between Polyphonic and Monophonic mode.
Velo : Turns on Velocity sentive mode.
Crv : Changes the Velocity's Response Curve between Linear, Exponential or Decibel.
Retrig : Turns on Midi Retrigger mode.
Porta :
Mode : Select Polyphony mode between Soft, Hard or Overlap.
Range : Select the range of the Pitch Wheel (1x to 4x).
Pitch (Wheel) : Affects the overall pitch, can be routed to affect only the selected waveforms.
Routing sliders : Adjust the amount of Pitch Wheel to be applied to each waveforms.
Notes : -Monophonic mode (Poly button) with Retrig on does not work with the sequencer, unless you are also using the arpeggiator with 1,3,6,12 or 24 divide. -You can simulate note hold by adjusting the Release value of the Volume to its highest value. Better when in Monophinic mode as it cancels the previous note played.
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Mixer >
Master Output : This controls the main outpot volume.
waveform Levels : One slider for each oscillator (Square/Pulse 1, Square/Pulse 2, Triangle, Noise). They all go up to 11, this will produce intentional distortion at high output.
Waveform Pan : One pan for each waveforms
Bass : Add more bass to the final mix.
Freq (Bass) : Adjust the Frequency of the bass.
Harm (Bass) : Adjust the level of the Harmonics.
Orig (Bass) : Adjust the level of the Original bass.
High (Bass) : Adjust the High of the harmonics.
Dec (Bass) : Adjust the Decay of the bass (Changing this value causes audible clicks).
Type (Bass) : Adjust the type of the bass between L (Linkwitz), H (Harmonic) and R (Resurrection)
RSP (Bass) : Adjust the Response of the bass.
HP (Bass) : Adjust the frequency of the High Pass filter.
Drv (Bass) : Adjust the Drive of the bass.
There are two limiters to save your ears and speakers if things are getting too crazy. but they can also be used as effects because of their characteristic.
Soft Knee limiter : Distorts the signal when the output is high.
Lookahead limiter : Does not distort the signal, but blocks harmonics.
Spkr (Speaker) : Speaker simulation switch.
Speaker knob : Adjust the Phase of the speaker.
Effects >
Power : Turn off all effects (True Bypass). 
Pitch Shifter : Pitch : Adjust the Pitch frequency.
Mix : Adjust the Mix of the pitch shifter.
2x Pitch : Double the range of the pitch shifter.
pr/po (Pre/Post) : Select if the pitch shifter routing before or after the other effects.
Degradation : Bit : Adjust the overall Bit resolution.
Rate : Adjust the overall Frequency Rate.
Qnt : Adjust the overall Quantization
Smooth : Adjust the Smoothness between the current and next sample.
Ceil (1-2) : Activate Ceiling #1 and #2.
Ring Modulation : RM : Adjust the intensity of the Ring modulator.
RM : Adjust the mix level of the Ring modulator.
Distortion/Fuzz : Gain : Adjust the Gain level.
Dist : Adjust the Distortion level.
Mix : Adjust the mix of the distortion.
Bias : Adjust the Bias level of the #D distortion.
Cap : Adjust the Cap level of the #D distortion.
Low : Adjust the Low Pass of the #E distortion.
High : Adjust the High Pass of the #E distortion.
+ : Adjust the + level of the clipper (#C distortion).
- : Adjust the - level of the clipper (#C distortion).
Type : Select which distortion you want to use between O - Direct output
D : Distortion, with Type selector between K (Kink) and C (Clip)
F : Fuzz
B : Bend / Folded / Noise, with Type selector between F (Folded), N1 (Noise #1), N2 (Noise #2), FN1 (Folded + Noise #1) and FN2 (Folded + Noise #2),
E : Exp
W : Waveshaper, with Type selector between 1-8 (waveshapers) and D (Drift)
R : Rect
C : Clipper, with Type selector between C (Clipper) and P (Peak follower)
Freqbox : FB : Adjust the mix level of the freqbox.
In : Adjust the level of the input.
Pitch : Adjust the pitch of the freqbox.
PM : Adjust the Phase Modulation level of the freqbox.
PM Dpt : Adjust the Depth of the Phase modulation.
Freqbox waveform select : Select the waveform between Square, Triangle or Sine.
Frequency Modulation : FM : Adjust the mix level of the frequency modulation.
Algo : changes the Algorithm of the Frequency Modulator.
Op1-P : Adjust the Pitch of the Operator #1.
+Sig : Add the direct signal to the Operator #1.
arrow under Sig : Adjust the Multiplier of the Operator #1.
O1-L/Fb : Add the Level and Feedback of the Operator #1.
Op2-P : Adjust the Pitch of the Operator #2.
+Sig : Add the direct signal to the Operator #2.
arrow under Sig : Adjust the Multiplier of the Operator #2.
Op2-L : Adjust the Level of the Operator #2.
Sig-P : Adjust the Pitch of the direct signal.
Mix : Adjust the Mix level of the direct signal's pitch.
Filter : LP (Low Pass) : Attenuates frequencies higher than/above the cutoff frequency.
Res (Resonance) : Adjust the internal feedback of the Low Pass filter, leads to self-oscillation at high levels.
HP (High Pass) : Attenuates frequencies lower than/below the cutoff frequency.
Res (Resonance) : Adjust the internal feedback of the High Pass filter, leads to self-oscillation at high levels.
BP (Band Pass) : Attenuates frequencies below and above the cutoff frequency.
Res (Resonance) : Adjust the internal feedback of the Band Pass filter, leads to self-oscillation at high levels.
LT, HT & BT (Low Pass, High Pass & Band Pass Type) : Select which filters you want to use (DP:0 on, 1-2-3-4-5 off, ST 1).
2x (4th filter) : Multiply the stages of the 5th filter (DP:off).
ST : Select the number of stages of the 5th LP and HP filters. Warning : can get very loud. Use the Limiters (DP:1)
Notes : - The 4th Band Pass filter is a Band Reject filter and can lead to heavy distortion.
Chorus : Chor : Adjust the Mix of the chorus.
Rate : Adjust the Rate of the chorus.
Dpt (Depth) : Adjust the Depth/Amount of the chorus.
Type : Select which chorus you want to use between O (Direct output / True bypass), 1-2.
Dly (Delay) : Adjust the Delay/Drift of the chorus.
St : Adjust the number of stages of chorus #2.
Flanger/Phaser : Rate : Adjust the Rate of the flanger/phaser.
Fdbk (Feedback) : Adjust the lenght/feedback of the flanger/phaser.
Dpt (Depth) : Adjust the Depth/Mix of the flanger/phaser.
Type : Select which flanger or phaser you want to use between O (Direct output / True bypass), F (Flanger), 1-2-3 (Phasers). Rate : Adjust the Rate of the flanger/phaser.
Flanger waveform select : Select the waveform between Square, Triangle, Sine or Saw. PW : Adjust the Pulse Width of the flanger (only when in pulse/square mode).
ST : select the number of stages of the 3rd phaser.
Delay : Time : Adjust the duration/time of the delay.
Fdbk (Feedback) : Adjust the lenght/feedback of the delay.
Mix : Adjust how much the delay affects the output
Type : Select which delay you want to use between (DP:1 on, 2-3 off).
O : Direct output
>< : Forward/Backward
T : Tape delay, which produces intentional tape sounds when you change the Time value while sound is playing
F : Filtered delay
Dir : Adjust the direction of Delay #1. (DP:>/forward)
Reverb : Size : Adjust the Size of the room of the reverb.
Dmp (Damp) : Adjust the Damp of the reverb.
Mix : Adjust how much the reverb affects the output
Type : Select which reverb you want to use between O (Direct output / True bypass) and 1-2-3-4-5.
s/m/l (Room size) : Select the room size of the reverb #1 between Small, Medium or Large.
Frz : Freeze Reverb #3.
Pitch : Adjusts the pitch of reverb #5.
Pitch Tracking : PT/M : Adjust the Multiplier value of the Pitch Tracking.
PT/F : Adjust the Frequency of the Pitch Tracking.
G : Adjust the Glide/Portamento of the Pitch Tracking.
Rev : Reverses the Pitch Tracking.
PT : Activates Pitch Tracking (on Frequency Rate only).
PT (Pitch Tracking) : Routes the Pitch Tracking to the following values :
- Ra : Frequency Rate
- Flt : Filters
- Qn : Quantizer
- PS : Pitch Shifter
- Sm : Smoothness
- FB : Freqbox
- FM1 : FM Operator #1
- FM2 : FM Operator #2
- F/P : Flanger/Phaser
- Dly : Delay
- Rm : Ring Modulator
- Ch : Chorus
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Known Bugs >
Using too much rate or Pitch Tracking on the filters will crash the signal! Be aware!
Changing the Sequencer or the Arpeggiator's Divide function from 1 to 64 might cause them to hang. To fix them make sure the Host function is in the Off position, then play a little with the manual speed, and then put the Host function in the On position (yeah I know its a little weird).
Monophonic mode (Poly button) with Retrig on does not work with the sequencer, unless you are also using the arpeggiator with 1,3,6,12 or 24 divide.
P/R on Smooth sometimes stops playing certain notes when active while Smo is 0, P/R is 0 and P/M is over one quarter.
Quantize modulation make audible clicks when using Sine or Triangle waveforms, due to the nature of a quantizer (the same would happen with a Bit Crusher).
Reverbs don't works when input is too loud and size is high. You need to set a low size value for the reverbs to work with high input gain.
Some effects may cause audible clicks in your signal during adjustments (Bass Decay for example).
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Additional credits and inspirations >
Triforce : The softsynth that inspired me to make this project.
Chipophone : Awesome DIY chiptune organ.
Metasonix : Their product names possibly had some influence in the naming of this synth :)
Jack Dark : One of the Synthedit's legends.
And of course, Synthedit's author : Jeff McClintock, which I'd also like to thank for all the help.
Interface inspired by the Arp 2600, Minimoog, the old EHX Bass Micro Synthesizer pedal, and of course the Nes by Nintendo.
Module credits :
The P/NES 8-Bit Monster has been developed with the latest stable synthedit engine using 3rd party licensed modules.
Oscillators :
LP-BitCrush - Lance Putnam (LP)
DVS Curver - Diverse (DVR)
u-smooth - Unkargherth (Elogoxa)
sc:color - Scoofster Audio
Arpeggiator :
CK_Classic_Arp & CK_Phrase_Arp - Chris Kerry (CK)
Sequencer :
EVM Matrix Sequencer - Etric Van Mayer (EVM)
Effects :
Pitch shift : Prefab - Etric Van Mayer (EVM)
Ring Modulator :
DAV Ring Modulator - Christian W-Budde (DAV)
Distortions :
#D : Badhead - Ralph Gonzales
#F - Bk_Fuzz - BK Butch Kratzer (Deztex Modules)
#B - RH_Foldback2 - Rob Herder (RH Modules) + LP Probly + LP-Rnd - Lance Putnam (LP)
#E - sc:Exp(x) - Scoofster Audio
#W - Synthedit Waveshapers + Drift - Rurik Leffanta (RL)
#R - RECT - Ralph A. Cronin (Fake Music)
#C - DVR Clipper - Dover Audio
Resynthesizer/Freqbox :
NewWave - Ralph Gonzales
FM :
EVM FM Oscilator - Etric Van Mayer (EVM)
Low Pass Filters :
#1 - sc:Lowpass - Scoofster Audio
#2 - EVM Lowpass - Etric Van Mayer (EVM)
#3 - Synthedit Moog Filter
#4 - DH Multifilter2 - Dave Haupt (DH)
#5 - DAV Filter Lowpass - Christian W-Budde (DAV)
High Pass Filters :
#1 - SV Filter - Synthedit
#2 - DAV Filter Highpass - Christian W-Budde (DAV)
#3 - DAV Filter Highshelf - Christian W-Budde (DAV)
#4 - DH Multifilter2 - Dave Haupt (DH)
Band Pass Filters :
#1 - DAV Bandpass - Christian W-Budde (DAV)
#2 - SV Filter - Synthedit
#3 - EVM Multifilter (bandpass) - Etric Van Mayer (EVM)
#4 - DH Multifilter2 - Dave Haupt (DH)
Chorus :
#1 - Prefab
#2 - DAV Chorus - Christian W-Budde (DAV)
Flanger/Phasers :
#F - Synthedit Flanger
#1 - BK_Phaser - BK Butch Kratzer (Deztex)
#2 - EVM Phaser - Etric Van Mayer (EVM)
#3 - DAV Phaser - Christian W-Budde (DAV)
Delays :
#<> - EVM Delay+ - Etric Van Mayer (EVM)
#T - Synthedit Delay2
#F - U-fDelay - Unkargherth (Elogoxa)
Reverbs :
#1 - EVM Reverb - Etric Van Mayer (EVM)
#2 - DH Reverb - Dave Haupt (DH)
#3 - BK_reverb - BK Butch Kratzer (Deztex)
#4 - DAV Modified STK JC Reverb - Christian W-Budde (DAV)
#5 - Xoxos verb5s - Rurik Leffanta (Xoxos)
#6 - Xoxos verb10apm - Rurik Leffanta (Xoxos)
Bass :
#0 - DAV Linkwitz Bass Enhancer - Christian W-Budde (DAV)
#1 - DAV Harmonic Bass Enhancer - (DAV)
#2 - DAV Ressurection Bass Enhancer - (DAV)
Limiters :
#1 - DAV Brickwall Soft Limiter - (DAV)
#2 - DAV Lookahead Limiter - (DAV)
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Disclaimer >
This Software is provided "as-is", without any express or implied warranty. In no event will the author be held liable for any damages arising from the use of this software.
This product and the author are in no way associated or affiliated or endorsed with/by Nintendo Co., Ltd. All the images displayed on this page are original creations inspired by the Nes.
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©2014 jmt musical tools